Chloé Sherman joined The Joffrey Ballet in 2016.

Born and raised in New York, Chloé began her training with Ballet Academy East at the age of 2. She was asked to train at The School of American Ballet at the age of 17 where she performed Balanchine’s Valse Fantaisie, Bourrée Fantasque, Allegro Brillante, Who Cares?, and Christopher Wheeldon’s Scènes de Ballet in Workshop. At the age of 18 she was offered a corps de ballet contract with The Los Angeles Ballet, directed by Colleen Neary and Thordal Christensen. During the four years dancing with Los Angeles Ballet, Chloé performed a wide range of ballet and contemporary works staged and choreographed by internationally renowned choreographers. She has performed ballets choreographed by George Balanchine, Jiří Kylián, as well as world premieres by Kitty McNamee, Stacey Tookey and Christopher Stowell. Ms. Sherman joined Silicon Valley Ballet directed by José Manuel Carreño in 2015. There she danced Alicia Alonso’s Giselle, and Ohad Naharin’s Minus 16, as well as performing the pas de deux from both Diana and Acteon and Le Corsaire. Ms. Sherman was the guest ballerina for Dances Patrelle and performed the title role in Romeo and Juliet.

Since joining The Joffrey, Ms Sherman has performed many roles including George Balanchine’s Four Temperaments; Jerome Robbins’ Glass Pieces and Interplay; Christopher Wheeldon’s Swan Lake and Nutcracker; Justin Peck’s Year of the Rabbit and The Times are racing and many more.

Ms. Sherman’s repertoire includes, Giselle, Sleeping Beauty, Swan Lake, Romeo and Juliet, Sechs Tänze, Return to a Strange Land, La Source, Walpurgisnacht Ballet, Divertimento No. 15, Raymonda Variations, Tchaikovsky Piano Concerto No. 2, Serenade, Stars and Stripes, La Sonnambula, The Four Temperaments, La Valse, Agon, and Rubies from Jewels.

Julie has trained at North Carolina School of the Arts, Pennsylvania Ballet School, and Joffrey Ballet School, among others. She teaches a ballet class based on alignment, strength, and fluidity. Her performing credits include National tours of both Movin’ Out and SWING!. Companies include Dances Patrelle, Donald Byrd/The Group, Jennifer Muller/The Works, Manhattan Ballet, Connecticut Ballet, and North Carolina Dance Theatre. She has been teaching at BAE since 2009.

Julie has trained at North Carolina School of the Arts, Pennsylvania Ballet School, and Joffrey Ballet School, among others. She teaches a ballet class based on alignment, strength, and fluidity. Her performing credits include National tours of both Movin’ Out and SWING!. Companies include Dances Patrelle, Donald Byrd/The Group, Jennifer Muller/The Works, Manhattan Ballet, Connecticut Ballet, and North Carolina Dance Theatre. She has been teaching at BAE since 2009.

Cleo began dancing at age 6 at Suncoast Academy of Dance in Palm Harbor, Florida. She was a member of their performing company, Art In Motion, for 10 years, and joined the faculty at Suncoast in high school. She holds a B.F.A. in Commercial Dance from Pace University with concentrations in choreography and pedagogy. Pace Commercial Dance brought Cleo the opportunity to train with – and perform original works by – renowned teachers and choreographers such as Mandy Moore, Jessica Hendricks, Lauren Gaul, Rhonda Miller, and Jason Samuels Smith, as well as the chance to perform excerpts from Agnes de Mille’s Rodeo, staged by Paul Sutherland, and José Limón’s Psalm, staged by Jonathan Riedel. As a participant in the inaugural Pace Performing Arts Los Angeles Intensive, she studied dance and choreography for the camera, working closely with Emmy-nominated choreographer Mandy Moore and renowned choreographer & videographer Jerry Evans.

Performance credits include the 2015 and 2017 Park Avenue Armory Gala (Larry Keigwin), A Letter to Cancer (Rachel M. Hettinger, Metaphors&similes Dance), My Love (Mike Esperanza, Peridance Capezio Center 2017 Gala), The Attraction of the Pedaling Ankle (Jaclyn Walsh, Pushing Progress Showcase 2016), and In Violent Circles (Rite of Spring)(Jonathan Riedel, world premiere).

Cassidy McAndrew began her training at age five in Stamford, CT. She was first cast in George Balanchine’s The Nutcracker® in 2003 and danced the role of Marie in 2006 and 2007. In 2009, Cassidy performed in American Ballet Theatre’s production of Le Corsaire, and, at age 11, began training at Ballet Academy East in New York City under the direction of Darla Hoover. While there, Cassidy had the opportunity to perform principal roles in ballets choreographed by Jenna Lavin, Margo Sappington, Alan Hineline, Matthew Neenan and George Balanchine.

After graduating BAE in 2015, Cassidy joined Charlotte Ballet as an apprentice for the 2015/2016 season. While there she performed George Balanchine’s Valse Fantaisie, original works by David Morse and Mark Diamond, and Jean-Pierre Bonnefoux’s Nutcracker. She was also mentored by Patricia McBride for the principle role in George Balanchine’s Tarantella. Cassidy joined Pennsylvania Ballet as a member of PBII for the 2016/2017 season. She was promoted to apprentice and then to corps de ballet for the 2019/2020 season. Since joining the company she has danced in works by Angel Corella, Jerome Robbins, George Balanchine, Ben Stevenson, Sir Kenneth MacMillion, Alexandr Ekmen, and Helen Pickett.

Lorna received her training at the School of American Ballet and the American Ballet Theater School. She performed with many companies, including NYC Opera, Philadelphia Lyric Opera, New Haven Ballet, Bridgeport Ballet, Wolfe Trap Theater, Radio City Music Hall Ballet, The Liberace Show, and with her own company, Zawacki Ballet. She worked with illustrious choreographers, including Genia Melikova, Gemze De Lapp, Hector Zeraspe, Peter Gennaro, Tommy Andrews, and Jordan Fife Hunt. Lorna participated in The Bolshoi Project, directed by Jeff Calhoun at Tisch School of the Arts. In addition to her classes at BAE, Lorna coaches ballet dancers, ice skaters, and ballroom dancers on Long Island. Lorna’s classes focus on strong use of the core muscles, meticulous attention to footwork, and the ability to combine strength and fluidity.

Ariel Rose began his training at Ballet Academy East in New York City. He also studied at the LaGuardia High School for Music and Art and the Performing Arts, and at the Jacqueline Kennedy Onassis School at American Ballet Theatre. As a young dancer, Rose received an honorable mention in the National YoungArts program. Upon graduating, Rose went on to Boston where he performed extensively with Boston Ballet II as well as with the main company. While there, he originated a role in Jorma Elo’s One Concerto. He then spent three years dancing with the Richmond Ballet where he performed works by many contemporary choreographers such as Ma Cong, Val Caniparoli, William Soleau, Salvatore Aiello and Jessica Lang. He joined Miami City Ballet’s corps de ballet in 2013. In 2010, Rose performed as a guest principal with Ballet Municipal in Lima, Peru, dancing the role of Franz in Alicia Alonso’s Coppélia. In 2015, Rose was selected to participate in the Resident Fellows choreographic program with the Center for Ballet and the Arts at New York University, an international institute for scholars and artists of ballet and its related arts and sciences. In the summer of 2017 some of his choreography was performed at the Joyce Theater in NYC and at Jacobs Pillow in Becket Massachusetts. Rose has choreographed two ballets for Ballet Academy East.

Amanda Edge was born in Texas and began her dance studies at Ballet Austin. Her training continued in Brazil, at the North Carolina School of the Arts, and at The School of American Ballet. In 1991, she joined the New York City Ballet, where she danced for 15 years. Amanda was an original cast member in Phantom: The Las Vegas Spectacular, and she performed with Phantom of the Opera on Broadway for 7 years. She was in the original Broadway cast of Twyla Tharp’s Come Fly Away, and when the show moved to Las Vegas, she served as the production’s dance captain. Amanda has a B.A. in Arts Administration from Fordham University, and she was on faculty at Central Pennsylvania Youth Ballet from 2015-2018. She thanks Julia and Darla for the opportunity to teach and choreograph at Ballet Academy East.

Petra Love was born in New York, N.Y. and began dancing at age three. She received her training at Ballet Academy East, The School of American Ballet and Miami City Ballet. She spent summers training at Central Pennsylvania Youth Ballet, San Francisco Ballet and Boston Ballet. In 2017, she spent her final summer at the Miami City Ballet School before moving to join Miami City Ballet School’s Pre-Professional Division and was also hired as a company apprentice.

Christopher Charles McDaniel is originally from East Harlem, New York, and is a Dancer, Teacher, and Choreographer. He began his ballet training at the Dance Theatre of Harlem, and went on to train at Ballet Academy East and Boston Ballet. He is also a graduate of the famed Fiorello H. LaGuardia High School. Upon graduating at age 17, Christopher signed his first professional contract with the Dance Theatre of Harlem Ensemble, and toured nationally with them for 3 seasons. In 2010 Christopher accepted a contract to join the Los Angeles Ballet where he danced for 5 seasons. During his time with LA Ballet he helped create multiple outreach programs, and became a teacher for a host of dance institutions including Lula Washington Dance Theatre, Debbie Allen Dance Academy, and Los Angeles Ballet School. He also served as a regular company class teacher at LA Ballet and Lula Washington Dance Theatre. Christopher choreographed his first professional ballet on the dancers of Los Angeles Ballet, and found a true passion for making ballets that are both challenging and fun for the dancers. After moving to San Antonio and becoming a soloist for Ballet San Antonio, Christopher choreographed small works for students at the Connally’s Dance workshop, and the Ballet Conservatory of South Texas. In the spring of 2016 he made a ballet, “Grazie Amelle,” for The dancers of Ballet San Antonio, which got a standing ovation and wonderful reception from the company’s directorship. In the fall of 2017 Christopher returned to NYC to join the Dance Theatre of Harlem company, and is currently in his second season. While dancing for DTH he simultaneously serves on the faculty of Ballet Academy East, and appears as a regular guest artist with Dances Patrelle, and Long Beach Ballet

Former professional ballerina and entrepreneur Rachel Hamrick, is originally from Williamsburg Virginia, where she began her classical ballet training with Sandra Balestracci. At 12 years old she was accepted as a scholarship student to the Kirov Academy of Ballet where she trained with Adrienne Dellas, Nickolai Morozov and Alla Sisova.

Upon graduation, she danced professionally all over the world for companies such as the Dutch National Ballet, Hungarian National Ballet, Universal Ballet in Seoul Korea, Orlando Ballet, and Les Grands Ballets Canadiens de Montreal. Her career was disrupted due to injury and she became certified in Pilates and yoga and began working with clients of all ages and flexibility levels to help increase their range of motion, strength, and anatomical awareness. She has taught ballet to all ages for over a decade and works with private students, coaches for YAGP and has taught for schools and events such as Dance Teacher Summit, Danza In Fiera, STEPS on Broadway, Academy Of Dance Arts, Greenwich Ballet Academy to name a few.

Rachel is the inventor and former CEO of the Flexistretcher®, which she created out of a personal need to help her own flexibility and strength while dancing professionally. She spent over 10 years building the Flexistretcher brand and now is focusing all of her time on expanding her training programs. Through her extensive experience, she has created the Hamrick Method which utilizes active flexibility techniques for optimal results in mobility and functional strength. This program combines ballet, stretch, and pilates into a full-body lengthening and strengthening class. While the Hamrick Method is tailored for improvements in classical ballet technique and focusing on injury prevention, Rachel has developed many levels and sculpted different classes to be beneficial for all ages and ability levels. She works with dance schools, conducts master classes, trains private clients and leads teacher courses with over 100 teachers certified in her method.

Lacey Thomas, 28, born and raised in New York, began her dance training at the Dance Theatre of Harlem School under the direction of Artistic Director emeritus Arthur Mitchell at the age of three. Although Lacey trained primarily in ballet, she also studied modern, jazz, tap, and African. With the efforts of becoming as versatile as she could, Lacey joined the Lincoln Center Children’s Choir Division at the age of 10. Here is where she performed in major televised operas such as Porgy and Bess, Macbeth, Hansel and Gretel and others. While a full-time student at the City College of New York, Lacey received her graduate certificate from the Professional Training Program at the Dance Theatre of Harlem. Lacey continued her professional training with the Dance Theatre of Harlem Ensemble in 2009 to later join Charlotte Ballet II. There, she performed in major ballets such as Balanchine’s Western Symphony and Jean-Pierre Bounefoux’s Cinderella. She soon became one of the featured ballerinas in the Black Ballerina Documentary shown on WLNYH Network.

Ms. Thomas has performed as a guest artist for various companies and events such as the Albano Ballet Company in Hartford, CT, Jacob’s Pillow Dance Festival, New York Philharmonic Orchestra’s “Dancing Across the Universe – The Waltz” and others. After starting her own open hip hop classes for all ages, Ms. Thomas was presented the opportunity to become the first Hip Hop instructor at the Dance Theatre of Harlem. Ms. Thomas always had a strong passion for choreographing Hip Hop. Among other accomplishments, Lacey has also become the first hip hop instructor of Central Pennsylvania Youth Ballet School. Lacey leads the dance department at Urban Academy Laboratory High School. With her efforts to branch out as a professional hip hop dancer/choreographer, Ms. Thomas formed her own Hip Hop-based dance company, LEGACY, in 2018. LEGACY has since gave young dancers a platform to train intensely and share their talents as versatile dancers. Lacey is thrilled to lead a LEGACY of her own.

Amos Machanic, Jr. (Miami, FL) is currently a Teaching Artist with Ailey Arts In Education & Community Programs. Mr. Machanic also teaches at The Ailey Extension, Ballet Academy East, and for the American Ballet Theater Kids Summer Intensive Program. Mr. Machanic studied dance at The New World School of the Arts and continued his training at The Ailey School where he was a fellowship recipient. Machanic was a member of Ailey II and Joined The Alvin Ailey American Dance Theater in 1996. During his 15 years with the company, Amos had the pleasure of traveling and performing across the globe. In 2010, he performed at the White House tribute to Judith Jamison and now enjoys being a freelance artist and teacher.

“The quality of the training a dancer receives has an enormous impact on their future. BAE’s meticulous and comprehensive syllabus develops technically strong, expressive ballet dancers, who ultimately can adapt to any style.”

Darla Hoover was trained at the renowned Central Pennsylvania Youth Ballet under the direction of Marcia Dale Weary and completed her studies on a full scholarship at the School of American Ballet. In 1980, after choreographing a solo for her in the New York City Opera production of Bourgeois Gentilhomme, George Balanchine invited Ms. Hoover to become a member of his New York City Ballet. From 1980-1991, Ms. Hoover appeared as a featured soloist in ballets such as Balanchine’s La Valse, Chaconne, Harlequinade, Ballo della Regina, as well as Peter Martins’ Eight Easy Pieces, Rossini Quartets, Sonata di Scarlatti, and Jerome Robbin’s Fanfare. Upon retirement, a full schedule of guest appearances throughout the United States and Europe further expanded her repertory experience.

Ms. Hoover now focuses her attentions on teaching and staging ballets, including positions as the Artistic Director of Ballet Academy East’s Pre-Professional Division in New York City, and Artistic Director of Central Pennsylvania Youth Ballet, where she also directs a nationally recognized Teachers Workshop that instructs fellow dance educators on the syllabus and methodologies developed by Marcia Dale Weary. Ms. Hoover guest teaches all over the world, and has been invited to share her successful techniques at distinguished companies such as New York City Ballet, Boston Ballet, Pacific Northwest Ballet, Miami City Ballet, Joffrey Ballet, New National Theatre Tokyo, and Royal Danish Ballet.

As a répétiteur, Ms. Hoover regularly stages works for the George Balanchine Trust. Recent stagings at major ballet companies such as the Stanislavsky Ballet, Royal Danish Ballet, American Ballet Theatre, Joffrey Ballet, New National Theatre Tokyo, and Dance Theatre of Harlem have included George Balanchine’s The Nutcracker, Raymonda Variations, La Source, Serenade, Scherzo à la Russe, Divertimento No.15, Valse Fantaisie, Concerto Barocco, Allegro Brillante, Tschaikovsky Pas de Deux, Stars and Stripes. Ms. Hoover was invited to stage George Balanchine’s Raymonda Variations at the Vaganova Ballet Academy in St. Petersburg, Russia. This performance marked the first time the esteemed Academy had ever performed a work by Mr. Balanchine.

Amanda Johnson is originally from North Carolina. She received a BFA in Dance Performance from Oklahoma City University. She performed with the American Spirit Dance Company before moving to New York City in 2012. Amanda has been a member of the BAE faculty since 2013 and was appointed as Principal of the Young Dancer Division in January, 2020. In addition, Amanda also teaches Dance Cardio within the BAE Adult Division.

Stacey Calvert was born and raised in Columbia, South Carolina and began her ballet training at the Calvert-Brodie School of Dance, studying with her Mother and Godmother. In 1980, Ms. Calvert entered the School of American Ballet, the official school of the New York City Ballet—and remained there for three years. She joined New York City Ballet’s corp de ballet in 1983. In 1992, Ms. Calvert joined William Forsythe’s Frankfurt Ballet. She returned to New York City Ballet in the winter of 1993. Ms. Calvert was promoted to the rank of Soloist in 1994, dancing with the New York City Ballet for 17 years.

Stacey began teaching full time in the dance department at the University of South Carolina in 2003. She held the positions of Distinguished Artist in Residence, Associate Artistic Director for the USC Dance Company, and Director of Curriculum for the after school program at USC. Stacey is now on faculty at Ballet Academy East in New York City. She is also a répétiteur for the George Balanchine Trust as well as a master teacher.

Mark trained as a classical dancer with Dame Sonia Arova at the Alabama School of Fine Arts and pursued a dual major of music and dance at Birmingham Southern College. Mark performed on the Edinburgh Fringe Festival as a Principal Dancer with the Scottish Ballet. Upon his return to the United States he conducted or was production pianist for Broadway, off Broadway, National Tours “Phantom of the Opera” “Les Miserables”, “Gypsy” (with Tyne Daly), “The Fantasticks”, “Little Shop of Horrors”, “Evita”, “A Chorus Line”, “Sweeney Todd”, Best Little Whorehouse in Texas”. In 1994 Mark was casting assistant for the Tony Award winning revival of “Carousel” (directed by Nicholas Hytner). as well as the highly acclamed Broadway PRoduction of Mathew Bourne’s “Swan Lake”. Before leaving New York Mark was production pianist for Columbia Pictures movie “CENTERSTAGE”. He also worked as pricipal pianist for American Ballet Theater with Mikhail Baryshnikov and the New York City Ballet.
In Florida Mark has been Musical Director for Francis Wilson Playhouse for the past 6 years. Shows include Dirty Rotten Scoundrels, No, No Nanette, Annie Get Your Gun (revival), Forum, Sideshow, Bells Are Ringing, Man of LaMancha, Monky Business and Oliver! (Lary Winner). Other shows include, Joseph…Dreamcoat, Carousel, Oklahoma, And the World Goes Round, Footloose, You’re a Good Man Charlie Brown (revival).
In 1997 Mark was inducted into the national registry of “Who’s Who” for excellence in the field of Dance.In Florida, Mark was the Artistic Director of the Bay City Ballet, a pre-professional dance academy that provides the highest form of training in Ballet, Pointe, Tap, Theater Dance. Back in New York, Mark is on staff at Hunter College, Marymount Manhattan College, American Ballet Theater, Manhattan Youth Ballet.

Emma Pajewski of Pittsburgh, Pennsylvania, started her dance training with Beth A. Walter before joining Pittsburgh Ballet Theatre School under the direction of Marjorie Grundvig and Dennis Marshall. After attending The Ailey School on scholarship for one year, she began her studies at NYU’s Tisch School of the Arts, where she earned a BFA in Dance. Emma has had the pleasure of performing the works of Selina Chau, Carlos Dos Santos, Lydia Johnson, José Limón, Jeremy McQueen, Erick Montes, Earl Mosley, Kyle Mullins, Jamie Erin Murphy, Alan Obuzor, Vita Osojnik, Pedro Ruiz, and Christian von Howard. In 2015, she performed in Karole Armitage’s On the Nature of Things at the American Museum of Natural History. Emma is a former company member of the Lori Belilove’s Isadora Duncan Dance Company and a current company member of Cherylyn Lavagnino Dance. Emma is a Power Pilates certified Pilates instructor and is thrilled to be a part of the BAE community at the front desk and in the class room.

Sarah Jannsen grew up in Boulder, Colorado where she began her training and teaching at the Colorado Conservatory of Dance. She then moved to New York to attend Marymount Manhattan College. In 2018, she earned a BFA in Dance, with a Ballet concentration, and a BA in Business, with a Leadership concentration. Sarah began at Ballet Academy East through assisting the Summerdance program in 2016. She has enjoyed watching her students grow up and loves working in the Young Dancer, Primary and Enrichment divisions. Outside of Ballet Academy East, Sarah is a Fitting Specialist at Gaynor Minden and she dances in various freelance projects.

Sarah Jannsen grew up in Boulder, Colorado where she began her training and teaching at the Colorado Conservatory of Dance. She then moved to New York to attend Marymount Manhattan College. In 2018, she earned a BFA in Dance, with a Ballet concentration, and a BA in Business, with a Leadership concentration. Sarah began at Ballet Academy East through assisting the Summerdance program in 2016. She has enjoyed watching her students grow up and loves working in the Young Dancer, Primary and Enrichment divisions. Outside of Ballet Academy East, Sarah is a Fitting Specialist at Gaynor Minden and she dances in various freelance projects.

Kaileigh began her dance training in her hometown of Acton Massachusetts when she was 3. In 2017, she graduated Muhlenberg College with a B.A. in Dance and a B.S. in Biology. While studying at Muhlenberg, she performed with many artists such as the Shapiro and Smith Dance Company, Cristina Perrera, Shelly Oliver, Susan Creitz, and Jeffery Peterson.

Kaileigh moved to New York and began teaching the Pre-Ballet classes at Ballet Academy East in 2018. You can also find her behind the front desk as one of our Front Desk Administrators.

Kaileigh began her dance training in her hometown of Acton Massachusetts when she was 3. In 2017, she graduated Muhlenberg College with a B.A. in Dance and a B.S. in Biology. While studying at Muhlenberg, she performed with many artists such as the Shapiro and Smith Dance Company, Cristina Perrera, Shelly Oliver, Susan Creitz, and Jeffery Peterson.

Kaileigh moved to New York and began teaching the Pre-Ballet classes at Ballet Academy East in 2018. You can also find her behind the front desk as one of our Front Desk Administrators.

Born in Brest, Belarus, Anya began her ballet training a the age of 8 at the Brest State Choreography School. After graduation, she performed professionally for 10 years before coming to New York. Inspired by Susan Moran, Anya studied the Pilates Method in great depth and in 2011 was certified through Power Pilates NYC, where she taught and studied with master teachers. Anya has been teaching at the Jazz Summer Program at the Joffrey Ballet School since 2011. In 2014, Anya continued her movement education and graduated from Pure Yoga with a certification in Vinyasa yoga. In 2018, she joined the faculty of Ballet Academy East, where she is teaching Yoga and Pilates.

Anya is as passsionate about Pilates and Yoga as she is about ballet; her immense training enables her to understand the body and encourage her clients to progress. She approaches each client as an individual and is able to help people of all ages improve in stregth and flexibility. Anya likes to nourish and challenge her students, and most importantly, guide them to access their full potential. She believes that everybody, from an athlete to an artist, can practive Pilates or Yoga. Movement not only helps connect mind and body, but also brings the benefits of mindfulness to different aspects of our life.

Broadway:Hello, Dolly! starring Bette Midler, An American In Paris, On The Town (2014 Revival OBC), Billy Elliot The Musical (Older Billy/Scottish Dancer OBC). Off-Broadway: Silence! The Musical (Dream Lecter), I Married An Angel. National Tour: Come Fly Away (Sid), The Phantom Of The Opera 25th Anniversary Tour. Regional: Chicago Lyric Opera: Oklahoma! (Dream Curly), TUTS Houston: Jerome Robbins’ Broadway(Monotoney Soloist).

Stephen started dancing at Shade Sisters Dance Studio, a neighborhood dance studio at the age of 3 in Pittsburgh, Pennsylvania. He went on to The Center for Theatre Arts where he enjoyed taking classes in Tap, Jazz, Ballet, and Musical Theatre. He then went on to study ballet under Roberto Munoz at The Point Park College Conservatory. While studying with Munoz he refined his ballet technique and was accepted into The School of American Ballet in New York
City. At The School of American Ballet Mr. Hanna trained with Stanley Williams, Andre Kramerevsky, and Richard Rapp. He performed in various ballets in the school’s annual Workshop performances. A Midsummer Night’s Dream, The Four Temperaments, Rubies, Valse Fantasie, Divertimento No.15, and Symphony in Three Movements by Balanchine. Pas de Six from Napoli choreographed by Bournonville staged by Stanley Williams and Christopher Wheeldon’s Danse Bohemien. In 1997 he received the Mae. L. Wein award for outstanding promise and became a member of New York City Ballet.

While at New York City Ballet he was promoted to the rank of soloist in 2004 and in 2005 was promoted to the rank of principal dancer. He danced principal roles in Balanchine’s A Midsummer Night’s Dream, Agon, Brahms Schoenberg Quartet, Chaconne, Concerto Barocco, Cortège Hongrois, Diamonds, Divertimento No. 15, Emeralds, The Four Temperaments, La Valse, Liebeslieder Walzer, The Nutcracker(Cavalier), Robert Schumann’s Davidsbundlertanze, Serenade, Stars and Stripes, Symphony in C(2nd movement), Tschaikovsky Pas de Deux, Tchaikovsky Piano Concerto No. 2,Tchaikovsky Suite No. 3(Elegie), and Western Symphony. In Robbin’s 2 and 3 Part Inventions, Dances at a Gathering, Fanfare, The Four Seasons, Glass Pieces, The Goldberg Variations, I’m Old Fashioned, Interplay, Les Noces, and Piano Pieces. In Martin’s Fearful Symmetries, Les Gentilshommes ,Octet, Swan Lake(Prince Siegfried, Benno), and The Sleeping Beauty(Gold, Blue Bird, Wolf). Richard Tanner’s Ancient Airs and Dances and Soirée. In Albert Evans’s Haiku and in Boris Eifman’s Musagete. Mr. Hanna also appeared in the film Centerstage during his time with City Ballet.

In 2008 he made his Broadway Debut in Billy Elliot The Musical as Older Billy/Scottish Dancer. The 10 time Tony winning production was directed by Stephen Daldry and choreographed by Peter Darling. In 2009 he returned to New York City Ballet where he was a guest artist for the 2009/10 winter season. In the spring of 2010 Stephen returned to Billy Elliot The Musical and stayed with the show until it closed in Jan of 2012. The following week Mr. Hanna joined the national tour cast of Twyla Tharp’s Come Fly Away in the role of Sid. After eight months he returned to New York and joined the cast of Silence! The Musical where he played the role of Dream Lecter. Playing Dream Curly in Oklahoma! was next at The Chicago Lyric Opera. He had the opportunity to learn the original Agnes De Mille choreography from Gemze DeLappe who worked closely with DeMille and was a member of the first national tour of the show. He then went to perform in Spoleto, Italy where he partnered Alessandra Ferri in her return to the stage
in The Piano Upstairs.

Back in New York he went on to dance with Ballet Next and Intermezzo. With these companies
Mr. Hanna danced ballets by Brian Reeder, Mauro Bigonzetti, and Claudia Schreier. In December of 2013 he took part in a Dance Lab for the show On The Town choreographed by Josh Bergasse. The summer of 2014 he reprised the roles he played on Broadway in Billy Elliot The Musical at Ogunquit Playhouse in Maine. In the fall of 2014, Mr. Hanna landed back on Broadway in the revival of On The Town directed by John Rando. Stephen had the pleasure of performing in The Macy’s Thanksgiving Day Parade and The Tony Awards with the cast of the show. When On The Town closed he joined the Broadway cast of An American In Paris until it closed in Oct of 2016. In 2017 l appeared again on Broadway in Hello, Dolly! Starring Bette Midler. After finishing his run at Hello, Dolly! he was lucky enough to work with Susan Stroman on a lab of The Beast in the Jungle written by Scott Thompson with music by John Kander. He
made his Carnegie Hall debut in Candide directed by Gary Griffin and choreographed by Josh Bergasse. Recently he performed in I Married An Angel at City Center Encores.

In 2010 Mr. Hanna started studying acting at The Barrow Group. He enjoys this new exploration of expression and has studied with Dani Super, Nick Demos, and Matt Newton. He has since appeared on television in Pose, Forever, Momsters: When Moms Go Bad, Boardwalk Empire, and All My Children. And the short film Fourth Position.

Linda Gelinas was a principal dancer and Dance Captain with the Metropolitan Opera Ballet and has been recognized in the Metropolitan Opera archives, as having danced the most principal roles in the history of the Metropolitan Opera House at Lincoln Center. She performed with Edward Villella and Dancers, The Eglevsky Ballet, Alexander Godunov and Friends, The Pavlova Celebration Tour, The Nureyev-Joffrey Ballet Tribute to Nijinsky, The Boston Repertory Company, and more. Performing works by George Balanchine, Jerome Robbins, Agnes de Mille, Edward Villella, Jean-Pierre Bonnefoux, Christopher Wheeldon, Mark Morris, Doug Varone, Alvin Ailey, Carmen De Lavallade, Bob Fosse, Robert LaFosse, Sean Curran among others.

Ms. Gelinas is the rehearsal director for the New York Dance Project. She teaches company class at the Metropolitan Opera, is on the faculty at the Juilliard School, Steps on Broadway, the Steps Youth Program and is a teacher and choreographer for the Hong Kong International Summer Program. She teaches company class for both Armitage Gone! Dance and Mordance. She also choreographed and taught for both the Miami City Ballet and the Joffrey Summer Intensives and was ballet mistress for the Festival Company at the Chautauqua Institution, under the direction of Jean-Pierre Bonnefoux. She has taught at New York University, Indiana University, the Blue Lake Fine Arts Camp, Manhattan Youth Ballet, Broadway Dance Center, Ballet Arts, and Columbia Performing Arts Center. Ms. Gelinas has been a guest teacher at multiple schools throughout the USA.

She was the resident choreographer, and movement coach for the Marcello Giordani Young Artist Program and the Opera Children’s Chorus at the Crested Butte Music Festival. There, she choreographed Carmen, Magic Flute, L’Elisir d’Amore, Hansel and Gretel, Barber of Seville and Pirates of Penzance.

Ms. Gelinas received her formal training at the Joffrey Ballet School and the Boston Ballet School. She is also a certified Pilates instructor and a graduate of the New York Film Academy.

Mackenzie Fey began her ballet training at age four at the Performing Arts School of Central Pennsylvania and attended summer intensives at American Ballet Theatre in New York and Pittsburgh Ballet Theatre School. In 2012 she moved to New York City to attend Ballet Academy East. While at BAE, Mackenzie had the opportunity to perform in many new works by choreographers such as David Morse, Charles Askegard, and Emery LeCrone. Following graduation from BAE, Mackenzie was a member of the Colorado Ballet Studio Company for the 2014-15 season. From 2015-2017 Mackenzie was a part of the Graduate Program at Pittsburgh Ballet Theatre. She performed in George Balanchine’s Serenade, Harald Lander’s Etudes, and Michel Fokine’s Les Sylphides with Pittsburgh Ballet Theatre School, as well as Giselle and The Nutcracker with the main company. During her time at PBT, she was also a teacher in their Children’s and Student Division. From 2017-2019, Mackenzie was a company member with Avant Chamber Ballet in Dallas, Texas, where she performed new works by Michelle Thompson Ulrich, Katie Cooper, and Fernanda Oliveira, as well as George Balanchine’s Concerto Barocco. In Dallas, she also was also a teacher at Park Cities Dance and Hathaway Academy of Ballet. In 2019, Mackenzie returned to New York and is thrilled to be a faculty member at Ballet Academy East in the Young Dancer and Primary divisions.

Mackenzie Fey began her ballet training at age four at the Performing Arts School of Central Pennsylvania and attended summer intensives at American Ballet Theatre in New York and Pittsburgh Ballet Theatre School. In 2012 she moved to New York City to attend Ballet Academy East. While at BAE, Mackenzie had the opportunity to perform in many new works by choreographers such as David Morse, Charles Askegard, and Emery LeCrone. Following graduation from BAE, Mackenzie was a member of the Colorado Ballet Studio Company for the 2014-15 season. From 2015-2017 Mackenzie was a part of the Graduate Program at Pittsburgh Ballet Theatre. She performed in George Balanchine’s Serenade, Harald Lander’s Etudes, and Michel Fokine’s Les Sylphides with Pittsburgh Ballet Theatre School, as well as Giselle and The Nutcracker with the main company. During her time at PBT, she was also a teacher in their Children’s and Student Division. From 2017-2019, Mackenzie was a company member with Avant Chamber Ballet in Dallas, Texas, where she performed new works by Michelle Thompson Ulrich, Katie Cooper, and Fernanda Oliveira, as well as George Balanchine’s Concerto Barocco. In Dallas, she also was also a teacher at Park Cities Dance and Hathaway Academy of Ballet. In 2019, Mackenzie returned to New York and is thrilled to be a faculty member at Ballet Academy East in the Young Dancer and Primary divisions.

Vanessa is a recognized dancer, teacher and choreographer who currently co-directs the company DoubleTake Dance in NYC (www.DoubleTakeDanceCo.com). Featured twice in Dance Informa Magazine DTD has recently received several commissions: Rock that Rolls choreographic commission for Dancing Wheels in Cleveland, OH; HTChen New Steps residency NYC; Next Step commission and performance for JPAC NYC.

Honored with a professional development scholarship from the Spanish Ministry of Culture to study abroad, she later became the resident choreographer for the musical theatre production company Tela-Katola in Spain. Shows: “I Love You, You’re Perfect …Now Change” and “Tick Tick…BOOM!”.

Currently she dances and choreographs for DoubleTake Dance (SummerStage; Battery Dance, NY Half Marathon, Ailey Theater; Carnival, Webster Hall; Gerald Lynch Theater, Dixon Place, Teatro la Tea, Jazz Choreographers Project, T. Madrid, Triángulo), Daniel Gwirtzman Dance Company. Other companies: De Funes Dance, BalaSole Dance, Noir Tribe Media, Burnt Sugar, Ikada, J.T Lotus Dance Co. She had the pleasure to work for choreographers such as Germaul Barnes, Ryan Beck, Derek Mitchell, Guillém Alonso, Gabrielle Lasner, Alan Onickel, Lynn Schwab (Tap City -Symphony Space) and Tony Waag (Career Transition for Dancers Gala at City Center).

Featured dancer in “DIY Nutcracker” (NY), “Rabi Thakur: A ballet on the Life of Rabindranath Tagore” (NJPAC); Momentum Dance Theater: “The jazz Hip Hop Nutcracker” (Washington D.C ), “Steel City Rhythm” workshop by RSW & associates; “Where Dreams Become Reality” (NY). Other shows include The Little Opera Theater of NY ś “Mitridate” ; ABT’s “The Golden Cockerel” at the MET, “Arrival” at Theater 80; “LOVEartJAPAN” Benefit show for Japan.

She has performed as a dancer, model or actress for international brands and commercials: L Ó REAL, Heineken, Ameriprise, Athleta, NYRoadRunners, Tag Heuer, Yahoo, Ursus Vodka, KDDance, Lush Cosmetics/Gorilla Perfumes, El Pais newspaper, channel Tele5, Fuse TV, XBox/Kinect (Times Square with NeYo and Lady Sovereign) Fashion Center Arts Festival, One Truth, Dru Cutler and the Rachel Ray Show. Film credits include “The Ryde of Tom & Valkyrie”, & “Friends With Benefits” with Justin Timberlake (IMDB 2011)

Vanessa is passionate about her teaching career. Faculty at Steps, BAE, Joffrey Ballet School, Peridance and a Tap City Leader she’s been featured on CNN and NBC. Vanessa has also been a guest teacher in numerous studios around the world (Alonzo Lines in San Francisco; LeHigh Valley Alliance in Pennsylvania; Round Rock Repertory, and Tarrytown Dance in Austin; V. Ullate, Arte de Bailar, Luthier, Latelier, Ross in Spain; T- Stage in México…) and she also teaches and judges at conventions around the USA.

Amos Machanic, Jr. (Miami, FL) is currently a Teaching Artist with Ailey Arts In Education & Community Programs. Mr. Machanic also teaches at The Ailey Extension, Ballet Academy East, and for the American Ballet Theater Kids Summer Intensive Program. Mr. Machanic studied dance at The New World School of the Arts and continued his training at The Ailey School where he was a fellowship recipient. Machanic was a member of Ailey II and Joined The Alvin Ailey American Dance Theater in 1996. During his 15 years with the company, Amos had the pleasure of traveling and performing across the globe. In 2010, he performed at the White House tribute to Judith Jamison and now enjoys being a freelance artist and teacher.

At just five years old, Elisabeth enrolled in ballet school in New Jersey; this started her love affair with dance.  She holds a degree in Dance Education and has performed and taught for the Hartford Ballet, Princeton Ballet, and Mercer Ballet.  She continues to perform annually in Dances Patrelle’s The Yorkville Nutcracker as “the Dutch mom”.  With a strong foundation in dance, Elisabeth was inspired to share her passion with others through teaching ballet, Barre Fitness, and yoga.

Elisabeth is part of the exhale founding team, Miraval’s Senior Director of Mind Body Fitness/Yoga, and co-author of the Barre Fitness book.  She oversees exhale’s and Miraval’s mind body fitness/yoga programs, teacher trainings, exhale Barre Certification program, exhale Yoga Teacher Training, and retreats while teaching a robust class schedule. As a member of exhale’s founding team, she leveraged 20+ years of teaching to co-create the company’s highly publicized exhale Core Fusion and exhale Barre Fitness program along with continually developing the exhale Barre Teacher Training program.

Anne Kelly’s experience in ballet includes performing, teaching, staging, and choreographing. She trained at the School of American Ballet for five years before attending Barnard College of Columbia University. While at Barnard, she studied with Francis Patrelle, Lourdes Lopez, Kate Glasner, and Allegra Kent. She performed works by George Balanchine, Lew Christiansen, Elisa Monte, Karla Wolfangle, Daniel Pelzig, and Lila York. She graduated magna cum laude with a B.A. in English and Dance. Ms. Kelly has danced with New York City Opera in their productions of Semele, Pirates of Penzance, and Candide, and she has performed with Dances Patrelle in Is That All There Is?, Murder at the Masque, Gilbert and Sullivan, The Ballet!, and The Yorkville Nutcracker, for which she also serves as Ballet Mistress. In 2012, Ms. Kelly founded her own company K/M•D/M, which is an elegantly modern ballet company that performs to live music. As Artistic Director and Choreographer, she has produced 5 Seasons for K/M•D/M in NYC. She has been on faculty at Ballet Academy East since 2005, teaching in the Pre-Ballet, Primary, Pre-Professional, and Adult Open Class Divisions.

Anne Kelly’s experience in ballet includes performing, teaching, staging, and choreographing. She trained at the School of American Ballet for five years before attending Barnard College of Columbia University. While at Barnard, she studied with Francis Patrelle, Lourdes Lopez, Kate Glasner, and Allegra Kent. She performed works by George Balanchine, Lew Christiansen, Elisa Monte, Karla Wolfangle, Daniel Pelzig, and Lila York. She graduated magna cum laude with a B.A. in English and Dance. Ms. Kelly has danced with New York City Opera in their productions of Semele, Pirates of Penzance, and Candide, and she has performed with Dances Patrelle in Is That All There Is?, Murder at the Masque, Gilbert and Sullivan, The Ballet!, and The Yorkville Nutcracker, for which she also serves as Ballet Mistress. In 2012, Ms. Kelly founded her own company K/M•D/M, which is an elegantly modern ballet company that performs to live music. As Artistic Director and Choreographer, she has produced 5 Seasons for K/M•D/M in NYC. She has been on faculty at Ballet Academy East since 2005, teaching in the Pre-Ballet, Primary, Pre-Professional, and Adult Open Class Divisions.

Anne Kelly’s experience in ballet includes performing, teaching, staging, and choreographing. She trained at the School of American Ballet for five years before attending Barnard College of Columbia University. While at Barnard, she studied with Francis Patrelle, Lourdes Lopez, Kate Glasner, and Allegra Kent. She performed works by George Balanchine, Lew Christiansen, Elisa Monte, Karla Wolfangle, Daniel Pelzig, and Lila York. She graduated magna cum laude with a B.A. in English and Dance. Ms. Kelly has danced with New York City Opera in their productions of Semele, Pirates of Penzance, and Candide, and she has performed with Dances Patrelle in Is That All There Is?, Murder at the Masque, Gilbert and Sullivan, The Ballet!, and The Yorkville Nutcracker, for which she also serves as Ballet Mistress. In 2012, Ms. Kelly founded her own company K/M•D/M, which is an elegantly modern ballet company that performs to live music. As Artistic Director and Choreographer, she has produced 5 Seasons for K/M•D/M in NYC. She has been on faculty at Ballet Academy East since 2005, teaching in the PreBallet, Primary, PreProfessional, and Adult Open Class Divisions.

Danielle Cortier received a BA in Dance and Dance Education from Ball State University, where she was a member of Ball State Dance Theatre. Company credits include being rehearsal director and dance captain for Eidolon Ballet in Concert, and Mariana Bekerman Dance Company. She has done works by Jen Medina with Common Thread Contemporary Ballet, performed with The Puppeteers Cooperative at Lincoln Center “Out Of Doors,” and even danced behind Twenty One Pilots on “Late Night with Seth Meyers.” She has danced in the NYC Fringe Festival and several choreography showcases.

Danielle is currently Assistant Choreographer and dancer for Keiko Fujii Dance Company based in Osaka, Japan. She has taught at BAE since 2008, and is also our Birthday Party Coordinator.

Danielle Cortier received a BA in Dance and Dance Education from Ball State University, where she was a member of Ball State Dance Theatre. Company credits include being rehearsal director and dance captain for Eidolon Ballet in Concert, and Mariana Bekerman Dance Company. She has done works by Jen Medina with Common Thread Contemporary Ballet, performed with The Puppeteers Cooperative at Lincoln Center “Out Of Doors,” and even danced behind Twenty One Pilots on “Late Night with Seth Meyers.” She has danced in the NYC Fringe Festival and several choreography showcases.

Danielle is currently Assistant Choreographer and dancer for Keiko Fujii Dance Company based in Osaka, Japan. She has taught at BAE since 2008, and is also our Birthday Party Coordinator.

Ashten Banister is an actor, singer, dancer, choreographer and writer. She graduated from Rider University with a Bachelor of Fine Arts in Musical Theater and recently received a certificate of completion from The Bristol Old Vic Theatre School in England for an Acting for the Camera Short Course. She has worked professionally at Park Playhouse in Singin’ in the Rain, and at Arundel Barn Playhouse in A Chorus Line, Legally Blonde, My Fair Lady, and 8-Track Sounds of the 70’s. Her favorite roles in college were Cassie in A Chorus Line and Dorcas in Seven Brides for Seven Brothers. www.ashtenbanister.com

Both internationally as well as in the U.S., Ashley is passionate about her work as a dancer, teacher and choreographer. Primarily trained in New York, she has studied and worked in many different styles from ballet to lyrical, modern, tap, hip-hop, contemporary, and musical theatre. She has had the opportunity to perform and/or choreograph at venues such as Jacob’s Pillow, Teatro Madrid, The Gerald Lynch Theater, The Barrow Street Theater, SummerStage, The Highline Ballroom, Webster Hall, BB Kings and the Ailey Theatre. Ashley is also on faculty at Ballet Academy East, and Joffrey in New York, various schools in Mexico and Spain; former faculty at Peridance, and has taught at Broadway Dance Center, Steps on Broadway, and Ballet Arts in New York City, Lines Dance Center in San Francisco, Tony Williams Dance Center and Green St Studios in Boston and Tarrytown Dance in Austin.

She can be seen working alongside artists such as Ricky Martin, NeYo, Lady Sovereign, Nicki Minaj, Cam’ron and Mila Kunis, for companies like Pilobolus, Derek Mitchell, Daniel Gwirtzman, Hanna Q Dance, Germaul Barnes/Viewsic Expressions, Ruddur Dance, Momentum Dance Theater, Variations Theatre Group, the Little Opera Theatre of NY, Moochaloo and Balasole, and for brands such as Nike, Athleta, Nokia, Ursus Vodka, Microsoft, Heineken, Yahoo, Ameriprise, the Rachel Ray Show and Lush Cosmetics. She has been seen off-Broadway in shows like West Side Story and 3 to 1. She was invited to Madrid to teach at the Association of Dance Professionals and choreograph for Spanish recording artist Nuria Elosegui. Ashley performed in Sia’s music video “Soon We Will Be Found”, in Central Park Summerstage, in a Boost Mobile commercial, danced in a feature film with Justin Timberlake, and is credited with choreographing independent feature film “The Ride of Tom and Valkyrie”. She has performed with the European show “Compradores de Sueños”, premiered the Legendary Dance Project at the Museo del Barrio and has completed her fourth season of New York City’s Summerstage. Recently, Ashley was featured in the original dance film “Here We Go Again” (dir. Nathan Cohen), has performed two seasons as Fritz/Rat King/Russia in “DIY Nutcracker”, danced in “The Barber of Seville” with the Amore Opera, and worked on a production of “Peter Pan” for Broadway Asia.

Ashley has choreographed several full-length shows for the company DoubleTake Dance (www.DoubleTakeDanceCo.com) that she co-directs with Vanessa Martínez de Baños, and is very proud of DoubleTake’s performance in the City Parks Summerstage festival, Battery Dance Festival, Carnival Choreographer’s Ball, etc. Additionally, with the company, she is credited with directing/choreographing a benefit for Japan and the latest commercial for Fuse TV and Dropps laundry detergent; and routinely traveling to the West Coast, Europe and Mexico to teach contemporary workshops. Recent credits include choreographic commissions for the world-renowned Dancing Wheels Company, HT Chen’s NewSteps, JPAC’s Next Stage Residency, and the Montclair Performing Arts program; choreography for the new musical “Dragula”, and was also a choreography grant recipient from Eryc Taylor Dance.

Caitlin trained in Ohio at Sharrons School of Dance and Cleveland City Dance Academy, and is a former Miss Dance of America (DEA). She received a BFA in dance from Marymount Manhattan College. Professionally she has danced with Eidolon Ballet and 277 Dance Project. Caitlin has taught at BAE since 2005.

Jenna Rae Lavin is originally from Queens, New York. She began her ballet training with Mme. Gabriela Darvash and Jody Fugate. She later graduated from the School of American Ballet where she studied with such teachers as Alexandria Danilova, Antonia Tumkovsky, and Stanley Williams. Ms. Lavin began her professional career at 17 when she was invited to join the Chicago City Ballet, under the direction of Maria Tallchief. Ms. Lavin also danced with the Atlanta Ballet, directed by Robert Barnett, for seven years.

Her principal and soloist roles with the Atlanta Ballet include: Balanchine’s Prodigal Son, The Four Temperaments, Serenade, Tarantella Pas de Deux, Minkus Pas de Trois as well as Le Corsaire Pas de Deux, A Midsummer Night’s Dream, Swan Lake, and The Nutcracker. Ms. Lavin was a principal dancer with the Nashville Ballet where she danced Odette/Odile in Swan Lake, the title role in Giselle, and principal roles in the company’s contemporary repertoire. Other professional affiliations include the Los Angeles Ballet, under the direction of John Clifford. Ms. Lavin spent eight summers as a member of the Chautauqua Ballet Company, under the direction of Jean-Pierre Bonnefoux, where she performed principal roles in ballets by Balanchine, Bonnefoux, and Clifford. She is a former soloist with Edward Villella’s Miami City Ballet, where she danced principal roles in many ballets including Divertimento #15, Jewels, Pas de Dix, Raymonda Variations, Valse Fantasies, Western Symphony, Glinka Pas de Trois, The Nutcracker, and Who Cares?. Ms. Lavin has worked with numerous choreographers, creating principal roles in ballets by Alonzo King, Lisa de Ribere, and Stanton Welch, to name a few. In the summer of 2003, Ms. Lavin performed in Casablanca, a collaboration between Warner Bros. and John Clifford’s Los Angeles Dance Theater.

Ms. Lavin has been teaching ballet to young dancers throughout her career. She has been on faculty at BAE since 2003 teaching in the Pre Professional Division.  Ms. Lavin has also choreographed over 20 ballets for BAE.  She is married to Cornel Crabtree and they are the proud parents of three boys – Sky, Grayson and Cooper.

Valerie Cortier began her training in South Bend, Indiana, at Flint’s Dance Studio, and also trained at Joffrey Ballet Summer School. She received a BFA in dance from Webster University, and has performed with several companies including: Eidolon Ballet, Common Thread Contemporary Dance Company, The Puppeteers Cooperative at Lincoln Center’s “Out of Doors” Festival, and Webster Dance Theatre. She has also performed in the NYC Fringe Festival and several choreography showcases in NYC. She has been a member of the faculty at BAE since 2004.

Amanda is originally from North Carolina. She received a BFA in dance performance from Oklahoma City University, where she also performed with the American Spirit Dance Company. In addition to ballet, Amanda is also a licensed Zumba instructor.

Sarah Feliciano trained at Eliot Feld’s Ballet Tech New York City Public School for Dance under the direction of Christine Sarry and Daniel Levans. While attending the school, she was given the opportunity to perform at The Joyce Theater. Sarah graduated from Dean College with her Bachelors Degree in Dance with a minor in Psychology in 2015.

She graduated Summa Cum Laude, and was a member of the Golden Key and National Society of Leadership and Success. While at Dean, she trained with Boston Ballet’s Laura Young and performed ballets such as Don Quixote, Napoli, Tarantella, and Coppélia. Sarah has worked at Ballet Academy East’s Summerdance since 2011, and joined the Young Dancer Division faculty in 2015.

Cornel Crabtree was born in Tripoli, Libya. He began dancing at fourteen and trained under full scholarship at both the San Francisco Ballet School and the School of American Ballet. Former teachers include Anatole Vilzak, Stanley Williams, Alexandria Danilova, Andrei Kamarevsky, and Gabriella Darvash, with whom he trained extensively.

Mr. Crabtree was a member of New York City Ballet for ten years, where he danced principal roles in a wide variety of ballets, such as Balanchine’s Serenade, A Midsummer Night’s Dream, Jewels, Vienna Waltzes, The Nutcracker, and Jerome Robbin’s Dances at a Gathering, In the Night, and Goldberg Variations, to name a few. Mr. Crabtree has performed on television in Bournonville Dances, which was telecast as part of PBS Dance in America series, and A Midsummer Night’s Dream Live from Lincoln Center broadcast. He was also invited to the Stars Shine for the Acropolis in Athens, where he danced Black Swan Pas de Deux. In 1989, he danced the title role of Oscar Wilde in the premiere of the Irish National Ballet’s production of “Oscar,” choreographed by Domy Reiter-Soffer.

In 1990, he danced Swan Lake at the National Theater in Taiwan. From 1990-92 he was a principal with Miami City Ballet, where he performed in Balanchine’s Bugaku, Square Dance, Glinka Pas de Trois, Jewels, Scotch Symphony, Concerto Borrocco, Pas de Dix, and Stars and Stripes Pas de Deux, as well as Petipa’s Sleeping Beauty. Mr. Crabtree has appeared as a principal quest artist with Pacific Northwest Ballet, Festival Ballet Providence, Ballet Austin, and The Daring Project. With these companies he performed in Paquita, Romeo and Juliet, Carmen, Esmerelda, Flower Festival, and La Sylphide. From 2000-01 he was a principal with Joffrey Ballet of Chicago, where some of his repertoire included Flemming Flint’s The Lesson, Ashton’s Monotones, and Arpino’s Kettentanz. A few of the new ballets created on him were Lambros Lambrou’s Byzantium, Remembrances, The Rite of Spring, and Stanton Welch’s Orange.

In 2004 he performed John Clifford’s Casablanca, which premiered in Beijing. Mr. Crabtree has performed the roles of Slavemaster/Solo Dancer for the Broadway and National tour productions of Phantom of the Opera. Mr. Crabtree has been on faculty at Marymount Manhattan College, Broadway Dance Center, Ballet Arts, and Fieldston School of Ethical Culture.

Courtney Conner received a BFA from NYU Tisch School of the Arts. She has danced with Alvin Ailey Dance Theatre Workshop and performed in the national tour of Sesame Street Live!. Courtney is a member of Dances Patrelle and has been a faculty member at BAE since 1992.

Elizabeth Walker’s ballet training began in South Carolina with Don and Patricia Cantwell in Charleston, S.C. and continued with Ann Brodie in Columbia, S.C. Following two summer courses at the School of American Ballet in New York, Elizabeth was invited to stay for full time study on scholarship at the age of 15. She received a Princess Grace Foundation-USA Award Dance Scholarship and Nancy Davis Reagan Award in 1988, and a scholarship in the name of Alexandra Danilova and the Mae L. Wien Award for Outstanding Promise in 1990.

At the age of sixteen, Elizabeth was invited by Suki Schorer and Merrill Ashley to take part as a demonstrator in “Balanchine Essays,” a video series cataloguing Balanchine technique produced by the George Balanchine Trust. Elizabeth was offered an apprenticeship with the New York City Ballet in 1990 and joined the corps de ballet in 1991. Among the dozens of roles she danced, many were featured or principal roles in ballets by George Balanchine, Peter Martins, Jerome Robbins, Lynn Taylor Corbett, and David Parsons.

In June 2009, Elizabeth retired from performing after 19 years with NYCB. Elizabeth taught on the faculty of the School of American Ballet, the official school of NYCB, from 2001-2007. Since 2009, Elizabeth has served as senior faculty at the New York State Summer School of the Arts (NYSSSA) School of Ballet. Elizabeth joined the faculty at Ballet Academy East in 2007, teaching for the Pre-Professional Division and adult open classes.

Kevin Carpenter began his piano training with Lee Rickaway in Brazoria, Texas, and studied voice with Catherine Wafford and Katherine Ciesinski. He has sung with the Houston Symphony Orchestra, Austin Lyric Opera, and the Houston Masterworks Chorus. He was a music associate at First United Methodist Church of Austin, Texas, and on faculty with Ballet Austin for seven years before moving to New York in February of 2010. Kevin can now be heard in New York City at Ballet Academy East and Steps, as well as in cabaret clubs around Manhattan.

Michael Cherry has been associated with Ballet Academy East as a staff pianist for more than 20 years. He has also served as Company Pianist and Soloist for Dance Theatre of Harlem from 1996 through 2004. He has also extensively performed as a piano soloist for The Limon Company. He has recorded five CDs of Music for Ballet Class. Michael holds a Masters Degree in Composition from the Manhattan School of Music, and was a recipient of the BMI Young Composers Award.

Coty earned his Bachelor’s Degree from Jacksonville State University in Classical Piano Performance, with a minor in Art. He then completed his Master’s Degree in Jazz Composition and Vocal Jazz at North Carolina Central University, where he graduated Summa Cum Laude. He was invited to perform in the 2012 Fiji International Jazz and Blues Festival, as well as international jazz festivals in Canada and South Africa, and in 2015 crafted a nation-wide concert/workshop series in conjunction with the US Embassy in Colombo, Sri Lanka.

In addition to his jazz experience, Coty is heavily involved in musical theater, having worked on several regional and Off-Broadway productions. Some professional credits include Allegro, Ragtime, West Side Story, Jesus Christ Superstar, Songs for a New World, and The 25th Annual Putnam County Spelling Bee.

His passion for creative collaboration has led him to the dance world, where he is often found accompanying ballet classes at Steps on Broadway, Ballet Academy East, and the Joffrey Ballet School. He is also the principal company pianist with Dance Theatre of Harlem, with whom he has had the pleasure of touring to Austria, Italy, Canada, and Israel.

Originally from Richmond VA, Jessica Anne Cox received her Bachelor of Music from Westminster Choir College in Princeton, NJ. Prior to moving to NYC, she was an accompanist with American Repertory Ballet’s Princeton Ballet School. She is an actress and singer and has appeared in a variety of productions in the tri-state area.

Whitney Gardner is a pianist and piano teacher in New York City. In addition to being a gifted ballet accompanist at BAE, she is a dedicated piano teacher and the founder/artistic director of *In The Pocket NYC: a Co-op of Teaching Musicians* (www.inthepocketnyc.com).

Whitney studied at Carnegie Mellon University, earning both a Bachelor of Fine Arts and a Master of Music in Piano Performance.

Barbara Gayny studied composition as a scholarship student with Lee Kraft at the Aaron Copeland School of Music. She has been playing piano for Ballet Academy East for 25 years. Barbara has also worked with the Alvin Ailey Dance Foundation, Elliot Feld, Joffrey II, New York University, Princeton University, City University of New York, and the 92nd Street Y. Barbara was the Polish translator/lyricist for Pope John Paul II’s musical play, Jeweler’s Shop, performed at Carnegie Hall, the Kennedy Center, and the United Nations. She performed and recorded with composer Mieczslaw Litwinski’s ensemble in the the mid-to-late ’80’s.

Barbara’s vocal music has been performed and recorded by Libana on Night Passage, Sbanachie label, and Singing the Stories of the West, Hal Leonard Publications. Barbara has performed with her husband, nationally acclaimed singer/songwriter and western entertainer Ernie Sites, in the US and Great Britain, including the 2002 Winter Olympics in Utah. Barbara’s focus is on integrating music with dance, storytelling, and audience participation in a variety of musical styles. Her primary instrument is piano, but Barbara also loves to sing and play the vibraphone and riqq, the Arabic tambourine.

Mikhail Golubitskiy holds a masters degree in music from the Gnessin Musical Institute in Moscow. After graduating he worked as a professor and conductor in Ufa (Russia). Since moving to the New York in 1993, Mikhail has been a ballet accompanist at many ballet schools including Ballet Academy East, Peridance, Steps, Broadway Dance Center, American Ballet Theatre and Long Island University.

Ludmilla Halfen, pianist and piano teacher, is a St. Petersburg Conservatory graduate. She toured with the Moscow State Concert Association, Mosconcert. Ms. Halfen was a faculty member of Bela Bartok School of Music and Franz Liszt Academy of Music in Budapest, Hungary. She played for Briansky Saratoga Ballet Center summer program for 16 years, and has been a faculty member at BAE since 1990.

Colleen has been a ballet accompanist for the past five years. She received her extensive classical training in Canada and did her jazz studies in New York. Colleen is currently an accompanist with Ballet Academy East, the 92nd Street Y, and Mark Morris Dance Group.

Tomoko Kawaguchi is a graduate of Manhattan School of Music. In addition to her classes at Ballet Academy East, Ms. Kawaguchi has worked with notable ballet masters from American Ballet Theatre, New York City Ballet, Bolshoi Ballet, San Francisco Ballet, and The Juilliard School. Her repertoire is versatile, ranging from classical music to ragtime. Ms. Kawaguchi loves accompanying character classes, and has been playing for Ms. Olga Dvorovenko’s character class at BAE for the past 3 years.

Rich Klessig has been a dance accompanist for over 20 years. His ballet “Don Juan” has been performed by Ballet Oklahoma and the Oklahoma City Philharmonic Orchestra, and he has an album entitled “Quiet Jazz for Solo Piano.” Mr. Klessig holds a Bachelor’s Degree in Music Performance from the Berklee College of music in Boston, and currently plays piano and percussion for Ballet Acadamy East, Alvin Ailey, and the 92nd Street Y.

Eleonora Marder was born in Moscow, Russia. She is a graduate of the Academic Music College of the Moscow State Tchaikovsky Conservatory and The Gnesins Russian Academy of Music. Her professional career as an accompanist began when she was 17 years old at a vocal studio. It continued at Novosibirsk Conservatory, where she worked with both instrumentalists and vocalists. Eleonora was a head pianist at the Samarkand Opera Theater in Uzbekistan. Upon her return to Moscow, she worked as an accompanist at The Gnesins College for over 15 years. Her career in ballet accompaniment began in 1995 at Dance Adventure in Greenwich, CT. Eleonora has accompanied ballet classes at Ballet Academy East since 2001, as well as at The Juilliard School, Ballet Arts, and City Center.

Joan Matthews has a BA in Music from SUNY Empire State College. She accompanied for a number of schools in London while living there for several years. Joan has been filling the BAE studios with her beautiful music since 1992.

Lali Mirry was born in Tbilisi (now Republic of Georgia). She graduated from the Georgian State Conservatory, and received her M.D. at Livonian State Conservatory (Vilnius, now Livonia). Lali was a soloist with the Georgian State Philharmonic. She has been living in New York since 1994, and has accompanied classes at BAE since 1996. Lali has also accompanied dance classes at the Juilliard School, American Ballet Theatre, Ballet Tech, and City Center.

Renee Ong is a composer, orchestrator, and pianist from Singapore. As a dance pianist, she performs with dance companies and pre-professional schools like Dance Theatre of Harlem, Singapore Dance Theatre, New York Theatre Ballet, Harlem School of The Arts, Ballet Tech Public School, Ballet Academy East, and Singapore School Of The Arts. She also music directs musical theatre and collaborates with independent filmmakers.

Mary Beth has been a ballet accompanist with BAE since 1990. She has also worked at New York City Ballet, American Ballet Theatre, School of American Ballet, Eliot Feld Ballet, Steps, Broadway Dance, Eglevsky, Alvin Ailey, Ballet Arts, and The Metropolitan Opera. Mary Beth was a scholarship student at The Oberlin Conservatory, where she received her degree in Piano Performance. She also studied with Herbert Stessin and Nadia Reisenberg from The Juilliard School.

Douglas Schultz (Pianist, Composer) began his association with dance at Bard College, his alma mater, as both a class pianist and performer. His first accompanying position upon his arrival in New York, more than 25 years ago, was at Ballet Academy East, a position he gladly holds to this day. During his years in New York, he has been on the music staff of American Ballet Theatre, was guest Company Pianist for Dance Theatre of Harlem, and held the title of Company Pianist for the Joffrey Ballet preceding their move to Chicago.

He has also been on the staff of many major New York dance schools, including the Alvin Ailey and Martha Graham schools. He currently works at Ballet Academy East, Adelphi University, and is a senior pianist at Steps Studios, where he accompanies Wilhelm Burmann, David Howard, and Nancy Bielski, among others. In addition, he has composed and recorded extensively for ballet and modern dance, creating both original ballets and music for ballet class. His class music is recorded under his own label, Cynosura Sound.

Rosanne Soifer was born in New York City. Her music career encompasses many areas, including composing, arranging and production, and playing piano. She has lectured extensively on music business and life skills at the Institute of Audio Research (IAR) and the School of Audio Engineering (SAE Institute), and is now an adjunct at Touro College, all in NYC. Her music career began when she was fifteen, playing in a local youth dance band, and for dance classes and talent shows.

She received a BS in Music from Indiana University’s renowned School of Music. Rosanne has worked as an accompanist for American Ballet Theater, and continues to play at many professional studios, schools, and college dance departments around the New York City area, including Ballet Academy East, SAB, Marymount Manhattan, Steps, and Peridance. She also works as a music director in the field of Jewish music. Other work experience includes dinner theater, single engagements, and as a road musician based in Nashville. In the 1980’s, she was the first female business agent hired by Musicians Local 802 in NYC. In 1994, Rosanne Soifer and Steve Danenberg arranged and published the CHANUKAH SUITE for pops orchestra. It continues to receive numerous performances each year by over 30 orchestras around the country.

Their pops vocal piece PUT OUT THE DARKNESS was premiered by the Tacoma Symphony and chorus in 2007. Her articles have appeared in many music industry publications such as Sound & Video Contractor, The Music Paper, and Pro Sound News. She also wrote the book Music In Video Production, published by Focal Press. Rosanne is a member of Musicians Local 802, ASCAP, and National Music Publishers Association. She lives in NYC.

Benjamin Bradham, born in Greensboro, North Carolina, is a Juilliard School graduate with extensive background as a concert performer. Benjamin’s long involvement with the dance world includes frequent requests from international professional companies to play for company classes. Among these are American Ballet Theatre, Mark Morris Dance Group, Ballet Hispanico, Alvin Ailey American Dance Theater, Matthew Bourne’s Swan Lake, Les Ballets Trocadero de Monte Carlo, Dance Theatre of Harlem, and others.

Michael Kooman is a composer and pianist living in NYC. As a writer of musical theater, he won a Jonathan Larson Grant in 2010, and was the first recipient of the Lorenz Hart Award in 2011 (along with his collaborator Christopher Dimond). Michael is currently under commission from the Kennedy Center.

His musicals have been workshopped or performed at the American Conservatory Theater, ASCAP, Disney Musical Theater Workshop, The Williamstown Theater Festival, London’s Ambassador Theater, and the 2011 NAMT Festival of New Musicals. In 2011, Michael released an album of his music, Out of Our Heads: the music of Kooman + Dimond, on iTunes, which features some of Broadway’s biggest stars. As a pianist, he accompanies at NYU, Alvin Ailey, Rosie’s Theater Kids, and Ballet Academy East.

Sofiya Leavsie graduated from the Belorussian State Conservatory. She held the position of Head of the Theory Department at the School of Arts in Belarus. After moving to the USA, Sofiya studied composition at the Juilliard School. She accompanied ballet classes at the Usdan Center for Performing Arts, where she was very lucky to meet Francis Patrelle, who brought her into the world of dance. Currently, Sofiya has accompanied classes at Ballet Academy East since 1995. She also plays for classes at American Ballet Theatre, Ballet Tech, Cedar Lake, The Juilliard School and Hunter College.

Annie Lebeaux has been a professional pianist since 1970, when she graduated from Boston Conservatory in her native New England. In addition to serving as musical director for over 60 regional shows, she’s had a wide range of experience both behind the scenes and as a performer. Some favorites include 5 years with the New York Renaissance Faire, touring with orchestras, playing Broadway shows in Europe, 9 years performing on the Delta Queen Steamboat, and 5 years performing on the American Orient Express train. For the last several years she has been playing for ballet, finally using the classical music she learned at the conservatory so long ago.

A celebrated figure in dance accompaniment, Steven Mitchell has accompanied and performed with some of the most esteemed dance institutions. He is currently the ballet rehearsal pianist for the Metropolitan Opera in New York City.

Steven holds a Bachelor of Music in Piano Performance from Houghton College, NY, a Master of Music in Piano Performance, and a Master of Music in Piano Pedagogy from Southern Methodist University, Dallas, TX.

From 1992-1998 he was a staff pianist for Boston Ballet Center for Dance Education; while there he performed as soloist and with Boston Ballet Orchestra. From 2000-2002 he held the position of Company Pianist for Pittsburgh Ballet Theatre; from 2000 – 2004 he held the keyboard chair for the Pittsburgh Ballet Orchestra.

In the 2010 and 2011 seasons, he was the rehearsal pianist for Dutch National Ballet, the Netherlands.

He was class pianist for the Columbia Pictures film Center Stage, his music can be heard in the film The Curious Case of Benjamin Button, and he was also heard during the ballet class scenes of the TV series Flesh and Bone on the Starz network.

In New York City he has played for most of the major companies and schools, and he holds a special place in his heart for Ballet Academy East and its director Julia Dubno.

Austin Walker is an internationally recognized modern drummer that doubles on world percussion and is based out of New York City. Austin moved to NYC in 2005 from Massachusetts to attend the Manhattan School of Music. There he studied with faculty drummer John Riley, while achieving a Bachelors and Masters in Music. Austin has performed and conducted as a musical director for the Jose Limon Dance Company. Austin maintains an active and busy life in the arts and music scene of New York City. He is currently a faculty accompanist for Ballet Academy East as well as the 92Y.

www.austinwalkermusic.com

Benjamin Houghton has been a pianist at BAE since 2010. He graduated from Westminster Choir College. In addition to being a pianist, he is also a dancer, singer, and actor.

A graduate of Moscow Conservatory College (Russia), Ms. Bazilevskaya was the musical director of Ballet Hispanico for seven years, as well as Gelsey Kirkland Ballet for six years. For over twenty years she has worked as an accompanist with professional dance companies such as Joffrey Ballet, Alvin Ailey Dance Theater, American Ballet Theater, SAB, Juilliard School, Les Ballets Trockadero, Ellison Ballet, Steps, and Ballet Academy East. Olga also is an accomplished piano teacher and has developed a unique music workshop for dancers.

Concerts: NY Philharmonic, Cincinnati Pops, Hollywood Bowl Orchestra, Boston Pops, and NY Pops. Recordings: The IT Girl, Follies, Tokio Confidential, Setting Standards, Suite of Dances from West Side Story. TV: The Muppets (EMMY nomination), The Sunshine Boys, Martha Stewart’s Christmas. Film: Unzipped, Suspicion. Theater: The Boy Friend, I Hear Music!. Ballet: Suite of Night Waltzes, Morgause.

As publisher/editor for Sondheim, Kander & Ebb, Corigliano, Maltby & Shire, Wright & Forrest, and others, Mr. McKibbins has released over 100 editions. Composer-In-Residence at U. Bridgeport, MacDowell Colony Fellow. B.Mus., M.Mus., Manhattan School of Music.

Ayako began piano lessons at the age of three. She attended the Soai Conservatory of Music in Osaka, Japan and received her classical piano training from Motoko Nakata. Later she studied composition with a leading Japanese composer, Osamu Katsuki.

Ayako has lived in Japan, Russia, and the U.K. and has collaborated with number of filmmakers, photographers, dancers, and theatre directors. International festivals have selected some short films in which her compositions were featured.

Her passion for music and art brought her to New York City in 2016, and since then she has been accompanying ballet and vocal classes in Manhattan.

As an avid dance enthusiast for many years, Ayako is literate in the technical aspects of ballet and is thoroughly familiar with the vast ballet repertoire. She enjoys dancing herself, and takes ballet classes and dances the Argentine tango.

Miles Fusco earned B.S. and M.S. degrees from The Juilliard School of Music as a scholarship student of Adele Marcus. He has performed as soloist and chamber musician on four continents, and made formal recital debuts at Carnegie Recital Hall in New York and The Wigmore Hall in London. He was appointed a Steinway Artist by Henry Steinway III. Miles brings a special expertise to dance, having been Company Pianist for American Ballet Theater for 12 years, where he worked with such artists as Mikhail Baryshnikov, Cynthia Gregory, Cheryl Yaeger, Susan Jaffe, Fernando Bujones, Rudolph Nureyev, and Margot Fonteyn. He toured with Gelsey Kirkland, Patrick Bissell, Kyra Nichols, Wendy Whelan, Natalia Makarova, and worked with choreographers Alvin Ailey and Twyla Tharp. Though most closely associated with ABT, Miles has also worked with New York City Ballet, Berlin Ballet, National Ballet of Canada, The Royal Winnipeg Ballet, and The Kirov.

Jenna Rae Lavin is originally from Queens, New York. She began her ballet training with Mme. Gabriela Darvash and Jody Fugate. She later graduated from the School of American Ballet where she studied with such teachers as Alexandria Danilova, Antonia Tumkovsky, and Stanley Williams. Ms. Lavin began her professional career at 17 when she was invited to join the Chicago City Ballet, under the direction of Maria Tallchief. Ms. Lavin also danced with the Atlanta Ballet, directed by Robert Barnett, for seven years.

Her principal and soloist roles with the Atlanta Ballet include: Balanchine’s Prodigal Son, The Four Temperaments, Serenade, Tarantella Pas de Deux, Minkus Pas de Trois as well as Le Corsaire Pas de Deux, A Midsummer Night’s Dream, Swan Lake, and The Nutcracker. Ms. Lavin was a principal dancer with the Nashville Ballet where she danced Odette/Odile in Swan Lake, the title role in Giselle, and principal roles in the company’s contemporary repertoire. Other professional affiliations include the Los Angeles Ballet, under the direction of John Clifford. Ms. Lavin spent eight summers as a member of the Chautauqua Ballet Company, under the direction of Jean-Pierre Bonnefoux, where she performed principal roles in ballets by Balanchine, Bonnefoux, and Clifford. She is a former soloist with Edward Villella’s Miami City Ballet, where she danced principal roles in many ballets including Divertimento #15, Jewels, Pas de Dix, Raymonda Variations, Valse Fantasies, Western Symphony, Glinka Pas de Trois, The Nutcracker, and Who Cares?. Ms. Lavin has worked with numerous choreographers, creating principal roles in ballets by Alonzo King, Lisa de Ribere, and Stanton Welch, to name a few. In the summer of 2003, Ms. Lavin performed in Casablanca, a collaboration between Warner Bros. and John Clifford’s Los Angeles Dance Theater.

Ms. Lavin has been teaching ballet to young dancers throughout her career. She has been on faculty at BAE since 2003 teaching in the Pre Professional Division.  Ms. Lavin has also choreographed over 20 ballets for BAE.  She is married to Cornel Crabtree and they are the proud parents of three boys – Sky, Grayson and Cooper.

Nicholas Ade is from Los Angeles, CA. He trained at San Francisco Ballet School and the University of North Carolina School of the Arts. He danced with the Pacific Northwest Ballet (PNB) from 1996-2006 under Francia Russell, Kent Stowell, and Peter Boal. While with PNB, Ade performed leading roles in George Balanchine’s The Four Temperaments and A Midsummer Night’s Dream; Ronald Hynd’s The Merry Widow; and Kent Stowell’s The Tragedy of Romeo and Juliet. He has also been featured in Balanchine’s La Valse, Prodigal Son, Symphony in C, Symphony in Three Movements, and Who Cares?; and Peter Martins’ Fearful Symmetries. He originated featured roles in Val Caniparoli’s Torqueand Nicolo Fonte’s Almost Tango and Within/Without.

Ade joined Central Pennsylvania Youth Ballet as school principal in 2012, prior to serving as principal of the Pacific Northwest Ballet School’s Francia Russell Center, PNB’s Eastside School, under Artistic Director Peter Boal from 2006 through 2012. Ade also serves as permanent guest faculty at Ballet Academy East in New York City under artistic director, Darla Hoover and founder and director, Julia Dubno. He has taught throughout Europe and North America, including the Iliev Foundation in Bulgaria. Ade has also taught at Tri-Cities Academy of Ballet, Utah Regional Ballet, and the University of North Carolina School of the Arts. He also has been on faculty at several national and regional festivals for Regional Dance America (RDA). Ade’s relationship with RDA has also extended into adjudicating in 2010; as well as serving as host to the Craft of Choreography Conference (CCC) and Summer Intensive from 2007-2009 and has been on the faculty of the CCC from 2004 through 2009. He has served as host of PNB’s Eyes on Dance and Discover Dance outreach performances and has been Project Coordinator for PNB’s NEXT STEP (formerly Choreographers’ Showcase) since 2005. In November 2014, Ade was appointed chief executive officer of CPYB.

Photo Credit: Joel Thomas Photography

Elizabeth Portnoy trained at Ballet Academy East, LaGuardia High School for the Performing Arts, and Studio Maestro. Elizabeth has performed with Dances Patrelle, New York Theater Ballet, K.M/D.M, and Dramastics. She taught in the Young Dancer Division at BAE for 10 years. She graduated from Hunter College with a Masters in Dance Education. Elizabeth has been teaching barre fitness since 2015. She teaches at Equinox Gym and is CPR certified.

Elizabeth Portnoy trained at Ballet Academy East, LaGuardia High School for the Performing Arts, and Studio Maestro. Elizabeth has performed with Dances Patrelle, New York Theater Ballet, K.M/D.M, and Dramastics. She taught in the Young Dancer Division at BAE for 10 years. She graduated from Hunter College with a Masters in Dance Education. Elizabeth has been teaching barre fitness since 2015. She teaches at Equinox Gym and is CPR certified.

Janice Kelly is a 200-hour RYT through Pure Yoga in NYC and has over 10 years of yoga training and experience. She first took a Bikram yoga class to supplement her ballet training, and soon realized her yoga practice was going to be much more. She found the meditation exercises that helped her into challenging poses were just as empowering and effective in conquering the challenges of everyday life.

Janice honors the integrity of traditional yoga teachings while making them practical in today’s world. Her class is centered around the vinyasa technique of breath and fluidity between poses. She teaches yoga for inner peace, strength, joy, a quiet mind, and the highest self.

Before teaching yoga, Janice worked as a technology investment analyst at a hedge fund, as well as a professional Broadway and ballet dancer. Janice is also the founder of ShapeDate, which currently provides a full list of dance class schedules, studios, and instructors in NYC.

Roni Mahler is a former ballerina who was trained by the renowned Madame Maria Yurieva Swoboda. Ms. Mahler performed principal roles with American Ballet Theatre and the National Ballet of Washington (D.C.), after beginning her career in her teens with the Ballet Russe de Monte Carlo. For over three decades, Roni was the Artistic Associate of Dennis Nahat’s internationally-acclaimed Ballet San Jose in California, where she taught, coached, and performed “character” roles. A native of New York City, Ms. Mahler’s teaching credits include Ballet Academy East, The Alvin Ailey School, The Juilliard School, The Joffrey School, Ballet Tech, and School of Dennis Nahat’s Ballet San Jose. Roni is a former tenured Assistant Professor and director of Dance at Kansas State University, where she initiated the KSU Dance degree program. Kansas State has since honored her with the Roni Mahler Ballet Studio and, for fifteen years, presented an annual award in her name.

Roni choreographed for Cynthia Gregory and Fernando Bujones during their City Center season in New York, and created “Ballet Movement for the Athlete,” a fitness program she customized for the Cleveland Browns. Her 6-DVD collection “The Complete Guide To Teaching Ballet” enables dance teachers to explore training methods for all ages. A certified Pilates instructor, Roni is the author of numerous ballet class CDs and a stretching DVD for flexibility and range of motion. Each year, Ms. Mahler is invited by the prestigious Rancho La Puerta Spa in Tecate, Mexico, to return as a Specialty Presenter for its Ballet Week.

A native of Cali, Colombia, Juan Carlos Peñuela began dancing at the age of 12 with Incolballet, a ballet-centered secondary school. His teachers included artistic staff from the National Ballet of Cuba and several Russian ballet academies. After Mr. Peñuela’s graduation in 1986, Gloria Castro invited him to become a soloist with Columbia’s National Company, Ballet de Cali. During the seven years he was with Ballet de Cali, he danced throughout South America, Europe, and the Caribbean Islands. His repertoire consisted of leading roles in contemporary works as well as classical pieces, including the principal male in Les Sylphides, Colin in La Fille Mal Gardée, and Franz in Coppélia.

In 1993, Mr. Peñuela moved to the United States to join Ballet Arizona in Phoenix, where he danced several pieces by artistic director and choreographer Michael Uthoff, and also created roles in new ballets by Violette Verdy and Helgi Tomasson. In 1996, he joined Dance Theater of Harlem, where he performed in many of George Balanchine’s works, including The Four Temperaments, Agon, Allegro Brillante, and Bugaku, as well as a variety of contemporary pieces.

Mr. Peñuela then joined Pennsylvania Ballet in 1998-2004. He was featured in several roles in The Nutcracker, and in Lynne Taylor-Corbett’s Great Galloping Gottschalk. Most notably, he received critical praise for dancing the role of The Moor in Josè Limon’s The Moor’s Pavane. He also performed in new works such as Jeffrey Gribler’s Cricket Dances, Meredith Rainey’s Slight Shifts, and Matthew Neenan’s Sfrenato.

Juan Carlos then worked as a freelance dancer, ballet master, and répétiteur based in New York City, working with various companies and schools all over the US and abroad. He has rehearsed & staged full-length ballets such as: Giselle, Don Quixote, Paquita, Sleeping Beauty, The Nutcracker, Swan Lake, Romeo & Juliet, Cinderella, Walpurgis Nights, Diana & Acteon, Flower Festival in Genzano, Les Sylphides, Spartacus, Carmen, Raymonda, and Le Corsaire, as well as works created by choreographers Chiara Ajkun, Meredith Rainey, Gloria Castro, and Diane Coburn Bruning, to name a few.

Juan Carlos is currently the Ballet Master of Ballet Hispanico Company in New York City as well Senior Ballet Master for the School of Dance. He teaches company classes at Alvin Ailey American Dance Theatre and Alvin Ailey School. Mr. Peñuela is faculty member of Joffrey Ballet School and Marymount Manhattan College, both in New York City.

Jamie Salmon has over 35 years of experience as a professional dancer and educator. Her training began with Melissa Hayden, Dana Kennedy Paul Mejia, Juan Anduze, and continued at North Carolina School of the Arts, School of American Ballet (sponsored and mentored by Bob Fosse and Gwen Verdon), Joffrey Ballet NYC, and with Finis Jung and David Howard. Jamie’s performing career has included Joffrey Ballet Concert Group and extensive industrials, regional theater, commercials, and film.

Jamie’s class is dedicated to the physical, mental and artistic development of the dancer, whether novice or professional. Jamie shares her passion for ballet with her students in a positive and nurturing environment, emphasizing clean technique, proper alignment, kinesthetic awareness and musicality, while using imagery and hands-on physical corrections throughout the class.